My new novel has topped 3,500 words of notes as I freewrite and brainstorm my way into an outline. I had a moment today when a sudden realization about what my novel is really about struck me. A shiver ran down my spine as I realized the possible implications of the totally subversive idea that emerged from the murky depths of my subconscious mind.
“This is big,” I thought.
And then, “This is probably going to piss a lot of people off.”
Not literally, but I was thinking it.
As I typed out the details of my idea, another idea struck me. By “struck me,” what I mean is that it wacked me upside the head like a baseball bat.
I fully intend for this novel to be a one-offer, and NOT a trilogy. I don’t know about you, but I am tired of trilogies. I am so sick of getting to the end of a novel only to realize that it’s the first in a series, which makes me feel obligated to read the next book, even after I find myself fully satisfied with the first. I want to write one, complete book this time! I want to finish a thought quickly and then move on to the next one! I have too many novel ideas to waste time writing serials!
But, this new idea, well—it’s so big, I am now wondering how I can possibly fit it all into one book. It almost has to be a trilogy.
Then, I remembered what I used to tell my Comp I students back in the day when I was still torturing myself by teaching Comp I: Focus. Figure out what your main point is and eliminate every detail that does not support that point.
What does this mean in regards to writing a novel? Well, the sad fact is, I am going to probably write a whole lot of material that is going to be cut in the end. It also means that I still need to narrow my focus. My big idea needs to be reined in and held to a very narrow track. I need to define my limits.
Like many writing problems, what this situation calls for is more freewriting.
Man, are my fingers getting tired!